Welcome to Insult to Injury, the place where the Noisey editors gather to dump out everything they've been listening to lately while simultaneously mourning the loss of our dear friend, phrosties. Here is the soundtrack to our grief this week…
Since we can’t write about Vic Mensa’s “Down On My Luck” for three weeks in a row, I’m going to plug John Mayer’s cover of a Beyonce song. John Mayer is an oddly polarizing individual because he makes cheesy but beautiful music while doing and saying things that make it really easy for people to hate him. Most recently, John has infused Beyoncé’s celebratory love song with enough harmonicas to make you feel as if you’re on a river bend with a string tied around your big toe and a straw hat shading your eyes from the summer sun. The song is so good, I can only assume that we’re about two weeks away from John saying something terrible in an interview. PS, John, if you’re reading this, let’s set up an interview, bro!Slava Pastuk, Canadian Editor
Slava on Noisey | Slava on Twitter
Dreezy feat. Sasha Go Hard & Katie Got BandzI feel like I'm getting richer with every second of this beat that plays. Every single rapper on this goes in—Sasha and Katie have become way better rappers in the past two years, and they're both super fun to listen to here (Sasha: "all this fucking money fuck you suck my ego"). And if you're not paying attention to Dreezy, start paying attention (I mean, she just did a song with Common, which is a bigger co-sign than 90 percent of Chicago rappers have gotten). I'm just going to listen to this and think about the flying money emoji all weekend.Kyle Kramer, Guest Editor
Kyle on Noisey | Kyle on Twitter
Cousin Fik - "Sickest Nigga Healthy II Intro"
Super crazy that nothing controversial and rap-related happened on Noisey this week! Anyways, I've been diving into various Bay Area slappers, and the intro of Cousin Fik's Sickest Nigga Healthy II is one of the best rap-related things I've heard in a goddamn minute. The beat, this wonderful little number tying together chipmunk soul to that hazy ambient thumb-snap thump that they kids these days seem to like, is done by Droop-E, the wonderously talented son of E-40. Cousin Fik—who is actually E-40's Cousin, in case you were wondering—goes in like somebody lit him on fire and the only way he will survive is by rapping real well.Drew Millard, Features Editor
Drew on Noisey | Drew on Twitter
Fred on Noisey | Fred on Twitter
The Futureheads - The Futureheads
Last weekend I went to a log cabin with no internet, a great record collection, and a swing. On the drive back to reality I had listen to music that made me amped on life again. And people. No one likes a misanthrope. So I played the first two Futureheads records and remembered how, when I first heard them in 2003, they made me feel unstoppable and weirdly in love with the world. Wryly observant songs about the pointlessness of false conversations, new jobs, and robots delivered via glorious four-part harmonies, at a breakneck pace, with guitars lines that are all elbows—The Futureheads' first record is just perfect.Kim Taylor Bennett, Style Editor
John Mayer - "XO"
Since we can’t write about Vic Mensa’s “Down On My Luck” for three weeks in a row, I’m going to plug John Mayer’s cover of a Beyonce song. John Mayer is an oddly polarizing individual because he makes cheesy but beautiful music while doing and saying things that make it really easy for people to hate him. Most recently, John has infused Beyoncé’s celebratory love song with enough harmonicas to make you feel as if you’re on a river bend with a string tied around your big toe and a straw hat shading your eyes from the summer sun. The song is so good, I can only assume that we’re about two weeks away from John saying something terrible in an interview. PS, John, if you’re reading this, let’s set up an interview, bro!
Advertisement
Slava on Noisey | Slava on Twitter
Dreezy feat. Sasha Go Hard & Katie Got BandzI feel like I'm getting richer with every second of this beat that plays. Every single rapper on this goes in—Sasha and Katie have become way better rappers in the past two years, and they're both super fun to listen to here (Sasha: "all this fucking money fuck you suck my ego"). And if you're not paying attention to Dreezy, start paying attention (I mean, she just did a song with Common, which is a bigger co-sign than 90 percent of Chicago rappers have gotten). I'm just going to listen to this and think about the flying money emoji all weekend.Kyle Kramer, Guest Editor
Kyle on Noisey | Kyle on Twitter
Cousin Fik - "Sickest Nigga Healthy II Intro"
Super crazy that nothing controversial and rap-related happened on Noisey this week! Anyways, I've been diving into various Bay Area slappers, and the intro of Cousin Fik's Sickest Nigga Healthy II is one of the best rap-related things I've heard in a goddamn minute. The beat, this wonderful little number tying together chipmunk soul to that hazy ambient thumb-snap thump that they kids these days seem to like, is done by Droop-E, the wonderously talented son of E-40. Cousin Fik—who is actually E-40's Cousin, in case you were wondering—goes in like somebody lit him on fire and the only way he will survive is by rapping real well.Drew Millard, Features Editor
Drew on Noisey | Drew on Twitter
Advertisement
Radioactivity - "The Last"I'm on vacation right now, so fuck your emails. JK. I'll hit you up in a bit. I spent last night watching one of my favorite bands of the past few years rip through a bunch of new jams as well as new classics like this one, "The Last." God, I can't wait to see them again. Best band.Get familiar. Tonight I am going to see Deskonocidos/Hex Dispensers/Protomartyr and later this weekend will be Destruction Unit/Marshstepper/Nothing/Back to Back/Impalers/Tercer Mundo/Vaaska, among others. Sick weekend. Texas, I love you.Fred Pessaro, Noisey, Editor-in-Chief
Fred on Noisey | Fred on Twitter
The Futureheads - The Futureheads
Last weekend I went to a log cabin with no internet, a great record collection, and a swing. On the drive back to reality I had listen to music that made me amped on life again. And people. No one likes a misanthrope. So I played the first two Futureheads records and remembered how, when I first heard them in 2003, they made me feel unstoppable and weirdly in love with the world. Wryly observant songs about the pointlessness of false conversations, new jobs, and robots delivered via glorious four-part harmonies, at a breakneck pace, with guitars lines that are all elbows—The Futureheads' first record is just perfect.Kim Taylor Bennett, Style Editor