Trying to shake off your past is largely a pointless endeavor. Somewhere down the line, someone will remember a thing you did, minor or not, and spring it on you out of nowhere.Garrett Klahn of Texas Is The Reason doesnāt try to run from his past in the band, instead enjoying what he accomplished as much as the fans that worship Do You Know Who You Are? Since the breakup of TITR back in the 90s, Klahn has been set on making more records in bands like New Rising Sons, Atlantic/Pacific, Felled Trees, and heās now releasing his first solo album ever.Garrett Klahn is set to release the new self-titled record tomorrow, January 15, through Rise Records. Itās a genre-spanning, project-leaping record incorporating his different works and styles from the past ten years on one record. Glimmers of his projects shine out in each song; songs like āMotion For Actionā show exactly what 20 yearsā worth of development looks like in a track. His voice carries the emotion and earnestness it did all those years before, except itās packed with a larger sense of sole, and assuredness.Read our interview with Garrett below, and stream his new, self-titled record in full.
Garrett Klahn: Haha! Iāll take it, can that be the pull quote? I guess thatās just how it goes, right?Do you remember when you first started to sing?
Yeah, it wasnāt something I did as a young boy at all. But something that comes to mind upon you asking me that is walking to and from school with my headphones on and just singing along to Smiths records and Cure records and definitely singing then, knowing I wasnāt terrible. Not that I knew I was any good but I could sing along, and in my head it sounded like I was locked in.Did other people dig your voice at the beginning?
Not at first. I remember in high school, the first band I was ever in was a proper, shit-kicking Western New York hardcore stompinā band. We were called Support, and we recorded a four-song cassette demo and I remember a lot of people telling me I sucked. [Laughs] It was like Lars Ulrich from Metallica! And I was never a metalhead, never into that type of music, so back then, I took it as a diss. Much to the chagrin of everyone I was friends with, including the band. But yeah people have told me I can sing. [Laughs]I ask because lately Iāve been thinking a lot about voices behind emotive hardcore being hard to call ābeautiful,ā yet theyāre really impactful and resonant for other reasons.
For sure, even look at Neil Young. Some thing itās like nails on a chalkboard, but to others itās like the heavens opening up.Definitely. So speaking of songwriters, has the idea of a solo record been kicking around in your head for a while now?
Not exactly, no. Iām a product of the four to five guys or gals in a room or van, chugging along. Iām a proud product of that. But I thought maybe it was time to do something a little more just me, some of the songs on this record Iāve held on in hopes of doing something with them. Not as in āthis will be my first solo record,ā but I held onto them for whatever reason. And I wanted to be able, over the last couple of years, to zero in on a gypsy existence which is the best word I could use. Over the years, Iāve played with so many ābandsā doing the solo thing. One tour in Europe, I met this band called The Clever Square from Italy. Played a couple shows with them, stayed in touch, and on the next tour, I sent them some of the stuff I was working on, and they were my band.I just wanted to try something different, and not limit it to the same four guys and gals. I wanted it to be obligatory for if and when whoever comes to see this band play on tour, they get a different version of the record. That might be a bad ābusiness move,ā but I get off on the performance not sounding exactly like the record. Everything happens so fast, I just want to keep it interesting.I think itās weird for anyone coming out of hardcore to try and approach the idea of being a āsolo artistā when you spend a lot of your time in a scene where equality and equal plane is king.
Well, I donāt know if you noticed but my name isnāt on the cover and neither is my picture. [Laughs] Itās without a doubt one of the most collaborative things Iāve done since I started making records, thereās almost eight or nine people total playing on the record. Number one, I couldnāt come up a good enough band name, and Iāve done the band in a box thing before. Iāve done it, and Iām not shitting on it either because christ thatās my entire life. But I wanted to give it a shot with just a little more me involved.One thing I was curious about, this record spans a lot of time, does the way you write your songs now differ from how you started out?
Not in the slightest. I find a riff, play it to fucking death, sort out the structure of the song and then toil and squirm and bite my way through my lyrics. The same thing, itās like fucking Groundhog Day.Yeah, lyrics never get easier, do they?
Never, ever. [Laughs] It all comes with experience, maybe I need to experience more.Lyrically, is it weird connecting back to your older stuff when you hear it or play it?
I kind of look at it like going to church. Theyāre two totally different animals, playing Texas is The Reason songs on my own with an acoustic guitar versus playing with those three boys. When Iām doing it on my own, I mean, I canāt remember the last time I played on my own and didnāt play a Texas song. Theyāve just become such a part of everything, like if I have a guitar in my hand youāre going to get a Texas song. Theyāre just really special, Iām getting less cynical in my older age and I know they mean something to people. I handle them with great care and respect. Whereas when I play with Texas Is The Reason, I play like itās the last fucking night on Earth.After Texas broke up, did you try to escape emo?
Itās kind of inescapable, man. [Laughs] In our world, thereās no escape from it. I started that band New Rising Sons and we got signed to Virgin, and pretty much right out of the gate, any and everything written about the band, thereās no escaping it. Even if I really tried I donāt think I could have. Itās just fucking there. [Laughs] Whatever you call it, emo, hardcore, whatever. Shit, Iām 41 years old and Iām still talking about it.Yeah, it just sticks with you forever. People attribute it to being a teenager or whatever but it never really goes away.
Itās a beautiful thing. My friends that donāt come from this little bubble that you and I come from, Iād be surprised to hear people have the connections we do. The life-affirming connections we make through punk rock, and making fanzines and going to shows. Itās a unifying thing, to shrug it off is almost a sin.
Advertisement
Noisey: I donāt know how to make this not sound weird, and obviously itās been 20 years, but I listened to the new record and then back to Texas Is The Reason and all I could think was āholy shit, he sounds like such a fucking man now.ā
Garrett Klahn: Haha! Iāll take it, can that be the pull quote? I guess thatās just how it goes, right?Do you remember when you first started to sing?
Yeah, it wasnāt something I did as a young boy at all. But something that comes to mind upon you asking me that is walking to and from school with my headphones on and just singing along to Smiths records and Cure records and definitely singing then, knowing I wasnāt terrible. Not that I knew I was any good but I could sing along, and in my head it sounded like I was locked in.Did other people dig your voice at the beginning?
Not at first. I remember in high school, the first band I was ever in was a proper, shit-kicking Western New York hardcore stompinā band. We were called Support, and we recorded a four-song cassette demo and I remember a lot of people telling me I sucked. [Laughs] It was like Lars Ulrich from Metallica! And I was never a metalhead, never into that type of music, so back then, I took it as a diss. Much to the chagrin of everyone I was friends with, including the band. But yeah people have told me I can sing. [Laughs]
Advertisement
For sure, even look at Neil Young. Some thing itās like nails on a chalkboard, but to others itās like the heavens opening up.Definitely. So speaking of songwriters, has the idea of a solo record been kicking around in your head for a while now?
Not exactly, no. Iām a product of the four to five guys or gals in a room or van, chugging along. Iām a proud product of that. But I thought maybe it was time to do something a little more just me, some of the songs on this record Iāve held on in hopes of doing something with them. Not as in āthis will be my first solo record,ā but I held onto them for whatever reason. And I wanted to be able, over the last couple of years, to zero in on a gypsy existence which is the best word I could use. Over the years, Iāve played with so many ābandsā doing the solo thing. One tour in Europe, I met this band called The Clever Square from Italy. Played a couple shows with them, stayed in touch, and on the next tour, I sent them some of the stuff I was working on, and they were my band.I just wanted to try something different, and not limit it to the same four guys and gals. I wanted it to be obligatory for if and when whoever comes to see this band play on tour, they get a different version of the record. That might be a bad ābusiness move,ā but I get off on the performance not sounding exactly like the record. Everything happens so fast, I just want to keep it interesting.
Advertisement
Well, I donāt know if you noticed but my name isnāt on the cover and neither is my picture. [Laughs] Itās without a doubt one of the most collaborative things Iāve done since I started making records, thereās almost eight or nine people total playing on the record. Number one, I couldnāt come up a good enough band name, and Iāve done the band in a box thing before. Iāve done it, and Iām not shitting on it either because christ thatās my entire life. But I wanted to give it a shot with just a little more me involved.One thing I was curious about, this record spans a lot of time, does the way you write your songs now differ from how you started out?
Not in the slightest. I find a riff, play it to fucking death, sort out the structure of the song and then toil and squirm and bite my way through my lyrics. The same thing, itās like fucking Groundhog Day.Yeah, lyrics never get easier, do they?
Never, ever. [Laughs] It all comes with experience, maybe I need to experience more.Lyrically, is it weird connecting back to your older stuff when you hear it or play it?
I kind of look at it like going to church. Theyāre two totally different animals, playing Texas is The Reason songs on my own with an acoustic guitar versus playing with those three boys. When Iām doing it on my own, I mean, I canāt remember the last time I played on my own and didnāt play a Texas song. Theyāve just become such a part of everything, like if I have a guitar in my hand youāre going to get a Texas song. Theyāre just really special, Iām getting less cynical in my older age and I know they mean something to people. I handle them with great care and respect. Whereas when I play with Texas Is The Reason, I play like itās the last fucking night on Earth.After Texas broke up, did you try to escape emo?
Itās kind of inescapable, man. [Laughs] In our world, thereās no escape from it. I started that band New Rising Sons and we got signed to Virgin, and pretty much right out of the gate, any and everything written about the band, thereās no escaping it. Even if I really tried I donāt think I could have. Itās just fucking there. [Laughs] Whatever you call it, emo, hardcore, whatever. Shit, Iām 41 years old and Iām still talking about it.Yeah, it just sticks with you forever. People attribute it to being a teenager or whatever but it never really goes away.
Itās a beautiful thing. My friends that donāt come from this little bubble that you and I come from, Iād be surprised to hear people have the connections we do. The life-affirming connections we make through punk rock, and making fanzines and going to shows. Itās a unifying thing, to shrug it off is almost a sin.